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From Guitare Jazz Manouche Wiki
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- 22:12, 6 March 2012 (diff | hist) . . (+2,832) . . N Vibrato (Created page with "Vibrato is an effect that comes from the variation of the target note frequency using an exaggerated pressure on the string with a left hand finger, followed by a pressure releas...")
- 22:10, 6 March 2012 (diff | hist) . . (+1,168) . . N Cut (Created page with "A "cut" (a term that comes from violin vocabulary) is a quick pull-off to the target note from a note that is located a half-tone or a tone above the target note. This embellishm...") (current)
- 18:17, 6 March 2012 (diff | hist) . . (-6) . . Appogiaturas (current)
- 18:16, 6 March 2012 (diff | hist) . . (+2,323) . . N Appogiaturas (Created page with "An appogiatura is one or more notes that precede the note that should actually be played in the melody or the chord. This technique is often used in Manouche music. In all the fo...")
- 17:55, 6 March 2012 (diff | hist) . . (+901) . . N Arpeggios approaches Variants (Created page with "Such chromatisms can be played in other ways. Here are a few examples: == Stochelo Rosenberg's way == One of the few cas of downstrokes on a string change. This is because the u...") (current)
- 17:49, 6 March 2012 (diff | hist) . . (0) . . Category:Gypsy Jazz Method
- 17:46, 6 March 2012 (diff | hist) . . (0) . . Approaches of arpeggios Over a dominant 7th major chord (current)
- 17:45, 6 March 2012 (diff | hist) . . (+63) . . Approaches of arpeggios Over a dominant 7th major chord
- 17:44, 6 March 2012 (diff | hist) . . (-10) . . Approaches of arpeggios Over a dominant 7th major chord
- 17:43, 6 March 2012 (diff | hist) . . (+1,486) . . N Approaches of arpeggios Over a dominant 7th major chord (Created page with "For each of the major chords depicted on the first CAGED diagram, we look at the arpeggio (in yellow), then we add each one of the arpeggio notes with chromatismes (in red over t...")
- 17:38, 6 March 2012 (diff | hist) . . (+358) . . N Category:Arpeggios approaches (Created page with "* Introduction * over a major chord *[[Approaches of arpeggios Over a minor chord| Over a min...") (current)
- 17:28, 6 March 2012 (diff | hist) . . (+13) . . Approaches of arpeggios Over a minor chord (current)
- 17:27, 6 March 2012 (diff | hist) . . (+72) . . Approaches of arpeggios Over a minor chord
- 17:26, 6 March 2012 (diff | hist) . . (-9) . . Approaches of arpeggios Over a minor chord
- 17:26, 6 March 2012 (diff | hist) . . (+1,102) . . Approaches of arpeggios Over a minor chord
- 17:21, 6 March 2012 (diff | hist) . . (-2,056) . . Approaches of arpeggios Over a minor chord (Blanked the page)
- 17:20, 6 March 2012 (diff | hist) . . (+2,056) . . N Approaches of arpeggios Over a minor chord (Created page with "Minor chords are 3-note chords which are not used in Manouche (or very scarcely). Chords are displayed here to help, especially those guitarists like me who are used to playing i...")
- 23:56, 5 March 2012 (diff | hist) . . (+2) . . N MediaWiki:Googleadsense (Created page with "ad") (current)
- 09:23, 17 June 2011 (diff | hist) . . (+1,215) . . N Approaches of arpeggios over a major chord (Created page with "For each of the major chords depicted on the first CAGED diagram, we look at the arpeggio (in yellow), then we add each one of the arpeggio notes with chromatismes (in red over t...") (current)
- 09:06, 17 June 2011 (diff | hist) . . (+26) . . Category:Gypsy Jazz Method
- 09:06, 17 June 2011 (diff | hist) . . (+75) . . Category:Gypsy Jazz Method
- 13:31, 20 April 2011 (diff | hist) . . (-4) . . Equipment (current)
- 16:34, 18 April 2011 (diff | hist) . . (+2) . . Arpeggios approaches introduction (current)
- 16:33, 18 April 2011 (diff | hist) . . (+2,597) . . N Arpeggios approaches introduction (Created page with "== Chromatic approach to 3-note chord arpeggios == The headline of this section seems complex at first glance. However, it is at the same time a fairly simple topic and an inexh...")
- 16:28, 18 April 2011 (diff | hist) . . (+2,907) . . N Minor pentatonics à la Manouche (Created page with "Who said that there are no pentatonics in Manouche ? That's just plain wrong... Well, we first need to agree on the term pentatonics. A pentatonic scale in essence is a scale mad...") (current)
- 22:34, 11 April 2011 (diff | hist) . . (+1,163) . . N Chromatic scale (Created page with "Chromatic scale is very often used, as an intermediate effect between two notes, or as a long appogiatura, or simply as a typical fast lick, or - it must be said - to find one's ...") (current)
- 22:21, 11 April 2011 (diff | hist) . . (+1,185) . . N Downward scales workouts (Created page with "There's a plethora of ways to practice scales. Every one of them helps building a sound right hand technique. All following examples are in G: == Straight downward scale == {|w...") (current)
- 22:16, 11 April 2011 (diff | hist) . . (0) . . Upward scales workouts (current)
- 22:15, 11 April 2011 (diff | hist) . . (+1,158) . . N Upward scales workouts (Created page with "There's a plethora of ways to practice scales. Every one of them helps building a sound right hand technique. All following examples are in G: == Straight upward scale == {|wid...")
- 22:12, 11 April 2011 (diff | hist) . . (+4) . . Scales workouts (current)
- 22:12, 11 April 2011 (diff | hist) . . (+152) . . N Scales workouts (Created page with "Scales workouts are divided in two parts: *upward scales workouts *downward scales workouts Category:Les Gammes fr:Travail_des_gammes")
- 22:09, 11 April 2011 (diff | hist) . . (+1,644) . . N The Typical Scales (Created page with "Il y a quatre types de gammes souvent utilisées en manouche: == The diatonic (or natural) == Natural minor (used on a minor or m7 chord), dorian minor (used on a m6 chord) and...") (current)
- 22:06, 11 April 2011 (diff | hist) . . (+2) . . Category:Typical Scales (current)
- 22:05, 11 April 2011 (diff | hist) . . (-2) . . Category:Typical Scales
- 22:05, 11 April 2011 (diff | hist) . . (+28) . . Category:Typical Scales
- 22:03, 11 April 2011 (diff | hist) . . (+981) . . N Category:Typical Scales (Created page with "{{DISPLAYTITLE: Scales}} Scales are yet another tool for the guitarists. I will not develop, I suppose everyone has a clue about what a scale is: a set of different notes separat...")
- 22:38, 8 April 2011 (diff | hist) . . (-2) . . Category:Gypsy Jazz Method
- 22:37, 8 April 2011 (diff | hist) . . (+976) . . N Arpeggios augmented (Created page with "Augmented chords are 3-note chords not so often used in Mancouhe. Arpeggios for these chords are essentially vertical and are almost always played in a dominant 7th chord context...") (current)
- 22:34, 8 April 2011 (diff | hist) . . (+1,376) . . N Arpeggios diminished (Created page with "Diminished chords are 4-note chords that are widely used in Manouche music. Their characteristic is that each note is exactly separated of a minor third from the next one. That m...") (current)
- 22:32, 8 April 2011 (diff | hist) . . (+1,199) . . N Arpeggios 7M major seventh vertically (Created page with "There are four main arpeggio shapes to remember (with two notes played on the lower E string). == Pattern 1 == This arpeggio starts from the root and is therefore played on thi...") (current)
- 22:28, 8 April 2011 (diff | hist) . . (+1,663) . . N Arpeggios 7M major seventh diagonally (Created page with "Even though there are 4 arpeggios to remember, in reality there are only two shapes since 1- and 3- derive from the same shape, and so do 2- and 4-: only the starting note change...") (current)
- 22:28, 8 April 2011 (diff | hist) . . (-14) . . Arpeggios 7M major seventh (current)
- 22:22, 8 April 2011 (diff | hist) . . (+1,320) . . N Vertical Arpeggios 7 dominant seventh (Created page with "There are four main arpeggio shapes to remember (with two notes played on the lower E string). == Pattern 1 == This arpeggio starts from the root and is therefore played on thi...") (current)
- 22:19, 8 April 2011 (diff | hist) . . (-5) . . Category:Arpeggios (current)
- 22:18, 8 April 2011 (diff | hist) . . (0) . . Category:Arpeggios
- 22:18, 8 April 2011 (diff | hist) . . (-47) . . Category:Arpeggios
- 22:16, 8 April 2011 (diff | hist) . . (+90) . . Category:Arpeggios
- 22:12, 8 April 2011 (diff | hist) . . (+820) . . N Arpeggios 7M major seventh (Created page with "7M chords are often replaced by their equivalent 6/9 chords in manouche. Indeed, from a strictly harmonic point of view, these chords can often be interchanged. That being said, ...")
- 22:09, 8 April 2011 (diff | hist) . . (+1,639) . . N Diagonal Arpeggios 7 dominant seventh (Created page with "Even though there are 4 arpeggios to remember, in reality there are only two shapes since 1- and 3- derive from the same shape, and so do 2- and 4-: only the starting note change...") (current)
- 22:06, 8 April 2011 (diff | hist) . . (+382) . . N Arpeggios 7 dominant seventh (Created page with "7th chords are often used in Manouche. This kind of arpeggio lends itself nicely to diagonal playing. On all diagrams, the arpeggios are displayed in yellow and the related chor...") (current)
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