Difference between revisions of "Category:Gypsy Jazz Method"
From Guitare Jazz Manouche Wiki
Admin wiki (talk | contribs) |
Admin wiki (talk | contribs) |
||
| Line 68: | Line 68: | ||
*[[Approaches of arpeggios Over a dominant 7th major chord| Over a dominant 7th major chord]] | *[[Approaches of arpeggios Over a dominant 7th major chord| Over a dominant 7th major chord]] | ||
*[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]] | *[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]] | ||
| + | |||
== [[:Category:Embellishments_and_typical_effects|Embellishments and typical effects]] == | == [[:Category:Embellishments_and_typical_effects|Embellishments and typical effects]] == | ||
| Line 76: | Line 77: | ||
*[[Bend]] | *[[Bend]] | ||
*[[Percussive effect]] | *[[Percussive effect]] | ||
| + | |||
== [[:Category:voicings|Voicings]] == | == [[:Category:voicings|Voicings]] == | ||
| Line 85: | Line 87: | ||
*[[Typical voicings]] | *[[Typical voicings]] | ||
*[[Stealing other people's voicing ideas]] | *[[Stealing other people's voicing ideas]] | ||
| + | |||
= [[:Category:Techniques for both hands|Techniques for both hands]] = | = [[:Category:Techniques for both hands|Techniques for both hands]] = | ||
Revision as of 22:33, 6 March 2012
Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: Do you speak Gypsy Jazz?
Contents
Get started
Right hand techniques
For Accompaniment
- The standart pompe
- typical accompanying rhythm guitar in different styles
- Some tips for a vigorous accompaniment
- Some examples of roulés or chord tremolos
For Choruses
- Rest-stroke
- Playing "ternary", the essence of swing
- Alternate_picking
- -v-v- or how to play two downstrokes in a row
- -v-v- licks examples
- The -v-v-v- movement or how to play three consecutive downstrokes
- The Sweeping
- Work out the tonicity of the right forearm muscles
Left hand techniques
Typical chords
Arpeggios
- Minor Arpeggios
- Major Arpeggios
- Arpeggios m6 and m7/5b
- Arpeggios 6 and m7
- 7 (dominant seventh)
- 7M (major seventh)
- diminished
- augmented
Typical Scales
Approaches of arpeggios
- Introduction
- over a major chord
- Over a minor chord
- Over a dominant 7th major chord
- Variants (Rosenberg, Debarre, Lagrène)
Embellishments and typical effects
Voicings
- Voicings starting from a chord
- Voicings on inversions
- Voicings on scales
- Voicings on cadences
- Typical voicings
- Stealing other people's voicing ideas
Techniques for both hands
Subcategories
This category has the following 4 subcategories, out of 4 total.
