Difference between revisions of "Category:Gypsy Jazz Method"
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| {{DISPLAYTITLE: Learn Gyspy Jazz}}   | {{DISPLAYTITLE: Learn Gyspy Jazz}}   | ||
| Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: [http://guitarejazzmanouche.com/forum/viewforum.php?f=15 Do you speak Gypsy Jazz?] | Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: [http://guitarejazzmanouche.com/forum/viewforum.php?f=15 Do you speak Gypsy Jazz?] | ||
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| == [[:Category:Get_Started|Get started]] == | == [[:Category:Get_Started|Get started]] == | ||
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| *[[Right_hand_position|wrist and right hand Position]] | *[[Right_hand_position|wrist and right hand Position]] | ||
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| == For Accompaniment  == | == For Accompaniment  == | ||
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| *[[pompe_variations|Some tips for a vigorous accompaniment]]   | *[[pompe_variations|Some tips for a vigorous accompaniment]]   | ||
| *[[Chord_tremolos|Some examples of roulés or chord tremolos]] | *[[Chord_tremolos|Some examples of roulés or chord tremolos]] | ||
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| == For Choruses  == | == For Choruses  == | ||
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| *[[The "grip" and the thumb]]   | *[[The "grip" and the thumb]]   | ||
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| == [[:Category:Typical_chords|Typical chords]]  == | == [[:Category:Typical_chords|Typical chords]]  == | ||
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| *[[Half-diminished chords|Half-diminished chords (m7/5b)]]   | *[[Half-diminished chords|Half-diminished chords (m7/5b)]]   | ||
| *[[Diminished_chords|Diminished chords]] | *[[Diminished_chords|Diminished chords]] | ||
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| == [[:Category:Arpeggios|Arpeggios]]  == | == [[:Category:Arpeggios|Arpeggios]]  == | ||
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| *[[Arpeggios_diminished|diminished]] | *[[Arpeggios_diminished|diminished]] | ||
| *[[Arpeggios_augmented|augmented]] | *[[Arpeggios_augmented|augmented]] | ||
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| == [[:Category:Typical_Scales|Typical Scales]]  == | == [[:Category:Typical_Scales|Typical Scales]]  == | ||
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| *[[Chromatic_scale|Chromatic scale]] | *[[Chromatic_scale|Chromatic scale]] | ||
| *[[Minor pentatonics à la Manouche]] | *[[Minor pentatonics à la Manouche]] | ||
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| == [[:Category:arpeggios_approaches|Approaches of arpeggios]] == | == [[:Category:arpeggios_approaches|Approaches of arpeggios]] == | ||
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| *[[Approaches of arpeggios Over a dominant 7th major chord| Over a dominant 7th major chord]] | *[[Approaches of arpeggios Over a dominant 7th major chord| Over a dominant 7th major chord]] | ||
| *[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]] | *[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]] | ||
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| == [[:Category:Embellishments_and_typical_effects|Embellishments and typical effects]] == | == [[:Category:Embellishments_and_typical_effects|Embellishments and typical effects]] == | ||
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| *[[Bend]] | *[[Bend]] | ||
| *[[Percussive effect]] | *[[Percussive effect]] | ||
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| == [[:Category:voicings|Voicings]] == | == [[:Category:voicings|Voicings]] == | ||
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| *[[Typical voicings]] | *[[Typical voicings]] | ||
| *[[Stealing other people's voicing ideas]] | *[[Stealing other people's voicing ideas]] | ||
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| = [[:Category:Techniques for both hands|Techniques for both hands]]  = | = [[:Category:Techniques for both hands|Techniques for both hands]]  = | ||
Latest revision as of 22:38, 6 March 2012
Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: Do you speak Gypsy Jazz?
Contents
Get started
Right hand techniques
For Accompaniment
- The standart pompe
- typical accompanying rhythm guitar in different styles
- Some tips for a vigorous accompaniment
- Some examples of roulés or chord tremolos
For Choruses
- Rest-stroke
- Playing "ternary", the essence of swing
- Alternate_picking
- -v-v- or how to play two downstrokes in a row
- -v-v- licks examples
- The -v-v-v- movement or how to play three consecutive downstrokes
- The Sweeping
- Work out the tonicity of the right forearm muscles
 
Left hand techniques
Typical chords
Arpeggios
- Minor Arpeggios
- Major Arpeggios
- Arpeggios m6 and m7/5b
- Arpeggios 6 and m7
- 7 (dominant seventh)
- 7M (major seventh)
- diminished
- augmented
Typical Scales
Approaches of arpeggios
- Introduction
- over a major chord
- Over a minor chord
- Over a dominant 7th major chord
- Variants (Rosenberg, Debarre, Lagrène)
Embellishments and typical effects
Voicings
- Voicings starting from a chord
- Voicings on inversions
- Voicings on scales
- Voicings on cadences
- Typical voicings
- Stealing other people's voicing ideas
Techniques for both hands
Subcategories
This category has the following 4 subcategories, out of 4 total.






