Difference between revisions of "Category:Gypsy Jazz Method"
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*[[Major Arpeggios|Major Arpeggios]] | *[[Major Arpeggios|Major Arpeggios]] | ||
*[[Arpeggios_m6_m75b|Arpeggios m6 and m7/5b]] | *[[Arpeggios_m6_m75b|Arpeggios m6 and m7/5b]] | ||
| − | *[[Arpeggios_6_et_m7|Arpeggios | + | *[[Arpeggios_6_et_m7|Arpeggios 6 and m7]] |
| + | *[[Arpeggios_7_dominant_seventh|7 (dominant seventh)]] | ||
| + | *[[Arpeggios_7M_major_seventh|7M (major seventh)]] | ||
| + | *[[Arpeggios_diminished|diminished]] | ||
| + | *[[Arpeggios_augmented|augmented]] | ||
== [[voicings|voicings]] == | == [[voicings|voicings]] == | ||
[[fr:Catégorie:Méthode_d'apprentissage]] | [[fr:Catégorie:Méthode_d'apprentissage]] | ||
Revision as of 16:14, 14 January 2011
Here is the summary of our gypsy jazz method
Contents
Right hand techniques
Get started
For Accompaniment
- The standart pompe
- typical accompanying rhythm guitar in different styles
- Some tips for a vigorous accompaniment
- Some examples of roulés or chord tremolos
For Choruses
- Rest-stroke
- Playing "ternary", the essence of swing
- -v-v- or how to play two downstrokes in a row
- -v-v- licks examples
- The Sweeping
Specific left hand techniques
Typical chords
Arpeggios
- Minor Arpeggios
- Major Arpeggios
- Arpeggios m6 and m7/5b
- Arpeggios 6 and m7
- 7 (dominant seventh)
- 7M (major seventh)
- diminished
- augmented
voicings
Subcategories
This category has the following 4 subcategories, out of 4 total.
