Difference between revisions of "Arpeggios 6 et m7"
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On all diagrams, the arpeggios are displayed in yellow, and the chord in light blue. 6 chords are direct inversions of m7 chords therefore these arpeggios can be used in both contexts, knowing that I6=VIm7, like for instance G6=Em7. | On all diagrams, the arpeggios are displayed in yellow, and the chord in light blue. 6 chords are direct inversions of m7 chords therefore these arpeggios can be used in both contexts, knowing that I6=VIm7, like for instance G6=Em7. | ||
− | * [[Diagonal 6 and m7 | + | * [[Diagonal arpeggios 6 and m7]] |
− | * [[Vertical 6 and m7 | + | * [[Vertical arpeggios 6 and m7]] |
[[Category:left hand techniques|Left hand techniques]] | [[Category:left hand techniques|Left hand techniques]] | ||
[[Category:Arpeggios]] | [[Category:Arpeggios]] | ||
[[fr:Arpèges_6_et_m7]] | [[fr:Arpèges_6_et_m7]] |
Latest revision as of 22:01, 8 April 2011
6/9 chords are probably the most widely used 4-note chords in Manouche. It is thereby important for this kind of chord to know its related arpeggios, and this in all chord positions and inversions. This arpeggio type lends itself particularly well to the diagonal picking.
On all diagrams, the arpeggios are displayed in yellow, and the chord in light blue. 6 chords are direct inversions of m7 chords therefore these arpeggios can be used in both contexts, knowing that I6=VIm7, like for instance G6=Em7.