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- | [[File:Plan-rosenberg-1.jpg]] [[Category:Stochelo Rosenberg]]2 KB (234 words) - 12:27, 4 January 2013
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- ...at very fast tempos (triplets at 230 bpm or sixteenths at 160 bpm for the Rosenberg). To gain speed with the rest-stroke technique, there are no real secrets: ...-stroke, it only moves to position the hand while changing string (this is Stochelo's technique: the strength and the speed of the rest-stroke come from the wr4 KB (685 words) - 19:43, 15 December 2012
- Here's an anecdote. When Stochelo Rosenberg was learning guitar, he didn't even know about upstrokes at all, so he used4 KB (710 words) - 21:46, 8 April 2011
- ...changed. That being said, 7M arpeggios are often used as such, by Stochelo Rosenberg and Biréli Lagrène for instance. This kind of arpeggio lends itself nicel806 bytes (123 words) - 22:28, 8 April 2011
- == Stochelo Rosenberg's way ==901 bytes (125 words) - 17:55, 6 March 2012
- ...played very quickly without the hand touching the neck, gives the typical Rosenberg sound. The second example shows a vertical vibrato played with each finger. This kind of vibrato is the one that gives his typical sound tp Stochelo Rosenberg, the absolute master of this movement. It is very hard to achieve (I can't3 KB (452 words) - 22:13, 6 March 2012
- | [[File:Plan-rosenberg-1.jpg]] [[Category:Stochelo Rosenberg]]2 KB (234 words) - 12:27, 4 January 2013