Difference between revisions of "Category:Gypsy Jazz Method"
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{{DISPLAYTITLE: Learn Gyspy Jazz}} | {{DISPLAYTITLE: Learn Gyspy Jazz}} | ||
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Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: [http://guitarejazzmanouche.com/forum/viewforum.php?f=15 Do you speak Gypsy Jazz?] | Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: [http://guitarejazzmanouche.com/forum/viewforum.php?f=15 Do you speak Gypsy Jazz?] | ||
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*[[Right_hand_position|wrist and right hand Position]] | *[[Right_hand_position|wrist and right hand Position]] | ||
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== For Accompaniment == | == For Accompaniment == | ||
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*[[pompe_variations|Some tips for a vigorous accompaniment]] | *[[pompe_variations|Some tips for a vigorous accompaniment]] | ||
*[[Chord_tremolos|Some examples of roulés or chord tremolos]] | *[[Chord_tremolos|Some examples of roulés or chord tremolos]] | ||
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== For Choruses == | == For Choruses == | ||
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= [[:Category:left hand techniques|Left hand techniques]] = | = [[:Category:left hand techniques|Left hand techniques]] = | ||
+ | |||
+ | *[[The "grip" and the thumb]] | ||
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== [[:Category:Typical_chords|Typical chords]] == | == [[:Category:Typical_chords|Typical chords]] == | ||
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*[[Half-diminished chords|Half-diminished chords (m7/5b)]] | *[[Half-diminished chords|Half-diminished chords (m7/5b)]] | ||
*[[Diminished_chords|Diminished chords]] | *[[Diminished_chords|Diminished chords]] | ||
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== [[:Category:Arpeggios|Arpeggios]] == | == [[:Category:Arpeggios|Arpeggios]] == | ||
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*[[Arpeggios_augmented|augmented]] | *[[Arpeggios_augmented|augmented]] | ||
− | == [[voicings|voicings]] == | + | |
+ | == [[:Category:Typical_Scales|Typical Scales]] == | ||
+ | |||
+ | *[[The_Typical_Scales|The Typical Scales]] | ||
+ | *[[Scales_workouts|Scales workouts]] | ||
+ | *[[Chromatic_scale|Chromatic scale]] | ||
+ | *[[Minor pentatonics à la Manouche]] | ||
+ | |||
+ | |||
+ | == [[:Category:arpeggios_approaches|Approaches of arpeggios]] == | ||
+ | |||
+ | *[[arpeggios_approaches_introduction| Introduction]] | ||
+ | *[[Approaches of arpeggios over a major chord| over a major chord]] | ||
+ | *[[Approaches of arpeggios Over a minor chord| Over a minor chord]] | ||
+ | *[[Approaches of arpeggios Over a dominant 7th major chord| Over a dominant 7th major chord]] | ||
+ | *[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]] | ||
+ | |||
+ | |||
+ | == [[:Category:Embellishments_and_typical_effects|Embellishments and typical effects]] == | ||
+ | |||
+ | *[[Appogiaturas]] | ||
+ | *[[Cut]] | ||
+ | *[[Vibrato]] | ||
+ | *[[Bend]] | ||
+ | *[[Percussive effect]] | ||
+ | |||
+ | |||
+ | == [[:Category:voicings|Voicings]] == | ||
+ | |||
+ | *[[Voicings starting from a chord]] | ||
+ | *[[Voicings on inversions]] | ||
+ | *[[Voicings on scales]] | ||
+ | *[[Voicings on cadences]] | ||
+ | *[[Typical voicings]] | ||
+ | *[[Stealing other people's voicing ideas]] | ||
+ | |||
+ | |||
+ | = [[:Category:Techniques for both hands|Techniques for both hands]] = | ||
+ | |||
+ | *[[Playing with harmonics]] | ||
[[fr:Catégorie:Méthode_d'apprentissage]] | [[fr:Catégorie:Méthode_d'apprentissage]] |
Latest revision as of 22:38, 6 March 2012
Here is the summary of our gypsy jazz method. If you have any question, ask them in our english spoken forum section: Do you speak Gypsy Jazz?
Contents
Get started
Right hand techniques
For Accompaniment
- The standart pompe
- typical accompanying rhythm guitar in different styles
- Some tips for a vigorous accompaniment
- Some examples of roulés or chord tremolos
For Choruses
- Rest-stroke
- Playing "ternary", the essence of swing
- Alternate_picking
- -v-v- or how to play two downstrokes in a row
- -v-v- licks examples
- The -v-v-v- movement or how to play three consecutive downstrokes
- The Sweeping
- Work out the tonicity of the right forearm muscles
Left hand techniques
Typical chords
Arpeggios
- Minor Arpeggios
- Major Arpeggios
- Arpeggios m6 and m7/5b
- Arpeggios 6 and m7
- 7 (dominant seventh)
- 7M (major seventh)
- diminished
- augmented
Typical Scales
Approaches of arpeggios
- Introduction
- over a major chord
- Over a minor chord
- Over a dominant 7th major chord
- Variants (Rosenberg, Debarre, Lagrène)
Embellishments and typical effects
Voicings
- Voicings starting from a chord
- Voicings on inversions
- Voicings on scales
- Voicings on cadences
- Typical voicings
- Stealing other people's voicing ideas
Techniques for both hands
Subcategories
This category has the following 4 subcategories, out of 4 total.