The pompe - Revision history

Admin wiki at 12:12, 6 December 2012

2012-12-06T12:12:35Z

2011-01-14T12:03:43Z

2011-01-14T10:17:54Z

2011-01-14T10:11:01Z

2011-01-14T10:10:49Z

2011-01-14T10:07:32Z

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2011-01-14T09:58:14Z

2011-01-14T09:58:01Z

2011-01-14T09:56:56Z

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 According to whether the fourth beat is swinged or not, the pompe will be called swinged or straight.
-Swinged
+{|width="100%" align="center"
 == breaking down the pompe ==
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 Right hand view to see the different stages of the movement
-{{#widget:Daily_Motion|id=xfa6z5}}
+{{#widget:YouTube|id=vR4NSvfe9k4}}
 == Exercise to mute the strings ==
 Muting the strings is important for the pompe, because it is this very movement that allows proportioning between the harmonic side (let ring the chord notes) and the percussive side (do a big tchac with the strings). The more we let ring, the more it's harmonic, the less it's percussive. Conversely, the faster we mute the string, the less it's harmonic, the more it's percussive.
-{{#widget:Daily_Motion|id=xfa72i}}
+{{#widget:YouTube|id=s6SWGkR0QoM}}
 See also: [[different_styles_of_pompe|typical accompanying rhythm guitar in different styles]]

← Older revision		Revision as of 12:03, 14 January 2011
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	[[Category:Right_hand_techniques]]		[[Category:Right_hand_techniques]]
		+
		+	[[fr:La_pompe]]

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 * Upstroke on all strings while the left hand mutes them
-[[file:Arpege-Bm6-E7-2.GIF]]
+[[image:Pompe-Standard.gif]]
 The strings are muted by the left hand at the end of beats 1 and 3, which means the pressure on the strings by the left hand is released. The right hand roughly does the same movement as if trying to strike a match.

@@ Line 14: / Line 14: @@
 * Upstroke on all strings while the left hand mutes them
-[[file:Arpege-Bm6-E7-2]]
+[[file:Arpege-Bm6-E7-2.GIF]]
 The strings are muted by the left hand at the end of beats 1 and 3, which means the pressure on the strings by the left hand is released. The right hand roughly does the same movement as if trying to strike a match.

@@ Line 14: / Line 14: @@
 * Upstroke on all strings while the left hand mutes them
-[[file:Arpege-Bm6-E7-2.gif]]
+[[file:Arpege-Bm6-E7-2]]
 The strings are muted by the left hand at the end of beats 1 and 3, which means the pressure on the strings by the left hand is released. The right hand roughly does the same movement as if trying to strike a match.