<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
		<id>https://guitarejazzmanouche.com/en_wiki/index.php?action=history&amp;feed=atom&amp;title=Arpeggios_approaches_introduction</id>
		<title>Arpeggios approaches introduction - Revision history</title>
		<link rel="self" type="application/atom+xml" href="https://guitarejazzmanouche.com/en_wiki/index.php?action=history&amp;feed=atom&amp;title=Arpeggios_approaches_introduction"/>
		<link rel="alternate" type="text/html" href="https://guitarejazzmanouche.com/en_wiki/index.php?title=Arpeggios_approaches_introduction&amp;action=history"/>
		<updated>2026-04-05T08:29:14Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
		<generator>MediaWiki 1.27.5</generator>

	<entry>
		<id>https://guitarejazzmanouche.com/en_wiki/index.php?title=Arpeggios_approaches_introduction&amp;diff=153&amp;oldid=prev</id>
		<title>Admin wiki at 16:34, 18 April 2011</title>
		<link rel="alternate" type="text/html" href="https://guitarejazzmanouche.com/en_wiki/index.php?title=Arpeggios_approaches_introduction&amp;diff=153&amp;oldid=prev"/>
				<updated>2011-04-18T16:34:13Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;tr style='vertical-align: top;' lang='en'&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 16:34, 18 April 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== How to use the following diagrams ? ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== How to use the following diagrams ? ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;diagrams decribe the notes of the underlying chord arpeggio, together with the &amp;quot;chromatic&amp;quot; notes that are fretted around each of these notes. The root is in red, the third in blue, the fifth in green. There are four main ways to play those chromatisms and all are in 16ths, which is an advantage as it can then be played in straight alternate picking, and therefore it makes it easier to play at all speeds (most of the times, it is played very fast) :&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;This &lt;/ins&gt;diagrams decribe the notes of the underlying chord arpeggio, together with the &amp;quot;chromatic&amp;quot; notes that are fretted around each of these notes. The root is in red, the third in blue, the fifth in green. There are four main ways to play those chromatisms and all are in 16ths, which is an advantage as it can then be played in straight alternate picking, and therefore it makes it easier to play at all speeds (most of the times, it is played very fast) :&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Starting from above (the most common approach): note above, arpeggio note, note under, arpeggio note.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Starting from above (the most common approach): note above, arpeggio note, note under, arpeggio note.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Admin wiki</name></author>	</entry>

	<entry>
		<id>https://guitarejazzmanouche.com/en_wiki/index.php?title=Arpeggios_approaches_introduction&amp;diff=152&amp;oldid=prev</id>
		<title>Admin wiki: Created page with &quot;== Chromatic approach to 3-note chord arpeggios ==  The headline of this section seems complex at first glance. However, it is at the same time a fairly simple topic and an inexh...&quot;</title>
		<link rel="alternate" type="text/html" href="https://guitarejazzmanouche.com/en_wiki/index.php?title=Arpeggios_approaches_introduction&amp;diff=152&amp;oldid=prev"/>
				<updated>2011-04-18T16:33:38Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;== Chromatic approach to 3-note chord arpeggios ==  The headline of this section seems complex at first glance. However, it is at the same time a fairly simple topic and an inexh...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Chromatic approach to 3-note chord arpeggios ==&lt;br /&gt;
&lt;br /&gt;
The headline of this section seems complex at first glance. However, it is at the same time a fairly simple topic and an inexhaustible well of licks in Manouche guitar. For instance, the first notes of Mozart's Turkish March belong to this register. Is it any clearer now ? Chromatic may not be the most appropriate word but I couldn't find any better for now!&lt;br /&gt;
&lt;br /&gt;
This kind of approach can be applied to majer, minor and dominant 7th chords, be they altered or not. &lt;br /&gt;
&lt;br /&gt;
== CAGED system ==&lt;br /&gt;
&lt;br /&gt;
Before getting any further in this section, it may be useful to briefly talk about the CAGED system. In short, this system is a mnemotechnic way to remember the 5 positions of a unique major chord over the board. We start with the following 5 basic chord shapes : E (in yellow), D (in purple), C (in blue), A (in white), G (in red). This five shapes are superimposed on several notes as can be seen on the following example in E.&lt;br /&gt;
&lt;br /&gt;
For major chords (E major here):&lt;br /&gt;
[[Image:Caged-maj.gif]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For minor chords (E minor here):&lt;br /&gt;
[[Image:Caged-min.gif]]&lt;br /&gt;
&lt;br /&gt;
== How to use the following diagrams ? ==&lt;br /&gt;
&lt;br /&gt;
is diagrams decribe the notes of the underlying chord arpeggio, together with the &amp;quot;chromatic&amp;quot; notes that are fretted around each of these notes. The root is in red, the third in blue, the fifth in green. There are four main ways to play those chromatisms and all are in 16ths, which is an advantage as it can then be played in straight alternate picking, and therefore it makes it easier to play at all speeds (most of the times, it is played very fast) :&lt;br /&gt;
&lt;br /&gt;
*Starting from above (the most common approach): note above, arpeggio note, note under, arpeggio note.&lt;br /&gt;
*Starting from under: note under, arpeggio note, note above, arpeggio note.&lt;br /&gt;
*Starting from the arpeggio note and above: arpeggio note, note above, note under, arpeggio note.&lt;br /&gt;
*Starting from the arpeggio note and under: arpeggio note, note under, note above, arpeggio note. &lt;br /&gt;
&lt;br /&gt;
[[Image:Explications-en.gif]]&lt;br /&gt;
&lt;br /&gt;
Of course, there are variants to this. You will find a few lick examples here:[[arpeggios_approaches_Variants| Variants (Rosenberg, Debarre, Lagrène)]]&lt;br /&gt;
&lt;br /&gt;
For each of these exercises, you can play the four ways. One video of each is given for the first diagram of each chord, with tablature. As far as fingerings are concerned, it is quite free. I use my four fingers, but most of the times, people play with three. The Rosenbergs and Django play(ed) that with two with glissandos between the arpeggio note and the note under. &lt;br /&gt;
&lt;br /&gt;
[[Category:Arpeggios_Aproaches]]&lt;br /&gt;
[[fr:Généralités_sur_les_chromatismes]]&lt;/div&gt;</summary>
		<author><name>Admin wiki</name></author>	</entry>

	</feed>